Hi guys,
The night of presentation was in total success for this debutant country in the Montreal fireworks competition. Ironically enough, we were treated to a perfect Summer’s evening with breezy (not gusty) conditions allowing to clear out smoke accumulations, which may have been a problem since there was a fair amount of moisture that evening. It was still roughly 26 Celsius in the area at the time, but it still felt warmer because of the humidity. Unfortunately, despite the weather, there were electricity problems for the display while the same held true for the park itself. As a result, the display ended up being delayed another 12-13 minutes longer than the display of Argentina. In any case, the show started at about 10:29-10:30 with a lot of emotion and zeal.
Much of the African display was incredible, but I found that the dramatic range of speeds between segments were what totally defined this display entirely while it allowed for an adequate rate of firing between music paces. They opened off the show very elegantly and brightly with some brilliant nautical red flares accompanied by some beautiful red crossettes as some overhead red shells that would sometimes burst into red ball stars, which was a similar idea to that of the Italian start. Just immediately after this piece were some bright flashing lightning-like nautical effects that illuminated the ground greatly. This then was followed by a rapid finish of shells making it feel like a small finale. A very nice way to start off, especially after such a long delay!
Synchronization was very nicely done and perhaps near perfect. The music was very nicely tied to the way the fireworks were on cue, so it made things much more enjoyable compared to other approaches we’ve seen. The paces were excellent, especially with the music variation intensities throughout the show. Because of this, the display was totally unique and creative between the rate of fireworks executions, which was the key factor of this display, but was also demonstrated to a stronger extent with the richness of colors and various effects, such as the glitters. The synchronization also fitted in with the way the entire display was concocted with the slower starts in typical segments to a massive finish with multi-colored shells in the high levels. For example, in the Lion King soundtrack segment, the candles and fountains at ground level were very ubiquitous and nicely timed to the motion and rhythm within the segment. To be honest, I felt that this segment was possibly the most dramatic and emotional to reinforce the theme.
The colors are quite the concept to comment on. There were so much color variations in this display that it made a lot of the ideas and music rather enjoyable. The brilliant mid to high level yellow shells of stars made quite an appearance to the audience while also fitting the tempo of the segment. Some of these yellow stars were also accompanied my some neat glitters at mid levels. I was quite enamored by the mauves and light purples being fired above the mines and candles at times. This was sometimes accompanied by an intense and dignified dark blue at higher levels while sometimes mixing with shades of green stars and lower crossettes. The red flares at ground level at the beginning also made for a picturesque look while delicately being accompanied by loud shells. A lot of the effects were similar, but the differentiations in color use implemented helped to eliminate repetition of their appearances. I personally also love the deep oranges with the blue stars in the middle from the exploding shells way above our heads. The darker shades of red were totally admired, especially since they were in fantastic mixture with either other color contrasts or because of the integration of accompanied mines, for example. Finally, when most of the segments came to an astonishing and intense finish, the rapid firings of shells were often intrinsically fired due to the multi-colored mixtures, such as with yellow, blue, red and especially green. Again, some of these would burst into ball-stars, which was sort similar to a piece in the Argentinean show, but this was much more dramatic, especially because of the intensity and the widespread colors were so subtle.
The effects used in this show were simply superb and, once again, connected nicely to both the theme and the music. I’ve noticed many distinctive effects used, especially the silver double-ascension girandolas that concluded one of the middle segments. However, these were also fired in a different manner especially since a lot of the ones on the sides were exploited at different angles in which they were swayed, which was quite unique. This also helped to support the more serene conclusion to that particular segment. I was also quite fascinated with the double concentric ring shells, especially with the variety of colors used to support them. There were a lot of shells of swirls and double ringed shells of swirls with green stars in the middle. Some of the swirls were also exciting since, in one segment, they would explode loudly all over the place. Near the penultimate part, there was a sighting of a couple of multi-breakers, which had a white/silver color directly overhead. There were quite a bit of white weeping willows that would droop downward while lasting astonishingly. There was a later appearance of the coconut tree effect that would later on burnt into white stars as they trailed to the river. The kamuros at mid levels were dazzling with glittering after parts. I must comment of the mid level cracklers from the rapid paced fan-like shots that would start at the middle and then would be followed with others at the right to left. This effect was used nicely with the choices of music throughout the show. These were also nicely timed on cue with the songs when they were seen! I’ve also noticed many go-getters at low and mid levels of the sky while accompanied by some screaming serpents making an eagle/missile noise. The nautical effects were astounding, especially with rich red flares followed by the flashing effects. The latter silver fountains in the latter part along the ground were also very nicely used, especially the “This Land” soundtrack. Finally, as always, a lot of the various glitters were nicely shown.
The way this display was constructed was brilliant, especially with those middle, left and right rapid shots at the bottom. The upper leveled shells were mostly quite balanced with the lower level action of either mines or candles (or both). The symmetry between the left and right sides of the lower and above levels of sky was typically balanced in a lot of respects, particularly with the colors present from time to time. I was in utter admiration with the glitters at middle levels as well as the associated candles that appeared from the left to the right while centered with glamorous mines at times.
The finale was incredible and in perfect crescendo, but would have been even more breathtaking if it had lasted just a little longer before the salutes were ready to fire. I was pretty confident that they would use same firing sequence as they did to conclude other previous segments, especially like in the song “This Land”. The colors were extravagant while the pace increased and more additional colors came into contrast, especially with the reds, yellows and greens. The salutes at the end were, as always, most welcomed and chest thumping, though not perfectly on cue with the music, but was still very enjoyable, especially with the way it added on to the previous part of the final segment, as well as the penultimate area.
My criticisms are minor for the most part, but the main problem was the area at or after the beginning segment where music kept on going for about 20 seconds near the conclusion, but no fireworks were there to support it. The ending salutes, as I said, were slightly off with the music, but soundtrack selection was well suited. Another little criticism to notice was just a slight bit of redundancy with the firing sequences throughout the display; usually with the slower start and then a stunning finish. However, this did not deter me from what was trying to be presented considering this approach worked well with the theme. Finally, like I said for Argentina, I bit more use of the girandolas during another segment or two would have also reinforced the main theme, but moreso with variations.
Travis' personal rankings and display criteria rankings:
-Synchronization: 9/10-This was the best synchronized display thus far. I personally loved the way it interacted with much of the lower effects, too, especially the opening segment with the red nautical flares. During the show, the shells at the top were often in nearly perfect beat with the corresponding lower cracklers and mines.
-Color: 9/10-Very dramatic colors and quite a variety, too. They have also helped to reduce redundancy minimally with different effects because they were often deployed in varying color, such as the double ring shells, or scattered ball-stars that burst into different colors.
-Creativity/Originality/Concept: 8.5/10-A truly very well concocted artistic display and was totally original in my mind, especially with the firing scheme at times in relevance to the effects used.
-Choice of music: 8/10-While the music was relevant to the thematic approach, some felt slightly off in relation to others that were selected, especially when we consider a cultural aspect, such as the soundtrack from Star Trek. However, I personally loved the choices of music and it fitted well with the synchronization while allowing for neat and distinctive attempts at choreography.
-Finale/General Appreciation: 9/10-A glamorous and powerful finale that truly made us attentive, especially with the way it was exploited to the audience. I hope you got this one, Pierre! I’m also sure that you loved those extensive salutes at the end! The general appreciation was fantastic and had excellent appeal throughout the entire show with much memorable scenes.
-Overall: 8.7/10
My personal predictions for the winners so far:
1-South Africa
2-Italy
3-Argentina
4-Switzerland
I’m still contemplating between Switzerland and Argentina for 3rd, though. However, I’m optimistic that South Africa will have a place on the podium this season.
The display from the Africans was a total success and was elaborately executed. My key response to this show was definitely the choice of colors and effects while the music went well I connection. The emotional attempts, which was similar to the Argentinean team’s, was very well done and breathtaking at times. In fact, I found this approach more distinctive and profound than that of the Argentinean show when it came to “emotions”, especially because of the richness of colors and effects that were always present to back up the type of movement, if you will, used throughout the show. The firing scheme was also appropriate for this sort of attempt and certainly caught the crowd on guard for much of the display. A truly remarkable performance from this debutant and will sure keep a positive impression in the minds of Montrealers.
Trav.
