Hi Rovira,
Again, thank you for your detailed information and clarifications, my friend.
Most of your explanation did it justice in defining what a mascleta is, particularly when you specified that it was a "display" by itself. I've also noticed by both your description and the video you provided that the explosions were indeed quite gradual in speed, but what was most interesting was that at times there was variation in pace while a distinctive rhythm (or beat, for the sake of argument) was being formulated in between parts; this was most noticeable at ground level.
Regarding the combination of aerial and ground explosions/activity, I've recognized this very well in the video; most of the ground level bursts were assisted, or in combination, with clusters of high level bombs.
The ending was particularly interesting, and you really didn't lie about the amount of smoke present! There was so much going on that I thought the whole place was going to come down! Really, I was very impressed with the drastic increase in both speed and power, only later creating a strong simulation of a localized fog due to vast accumulations of smoke!
A mascleta can be very intense, as I've seen there, and I see why you need so much room to establish them efficiently. It's too bad that they commonly don't have any colors integrated, but what I do enjoy quite a bit is the excessive noise given off throughout, not to mention the massive explosions from the mines via ground level and the assisting high level bombs and the smoke involved. The time duration is also rather satisfying for something like this.
As for the Spanish display of 2005, yes, I do remember their show distinctively, especially considering that the majority of their unique performance ranged from low to mid levels along with a multitude of mines, candles, fountains and many nautical effects.
Will you be attending Montreal this Summer?
Trav.
