Country participant: Canada
Company: Garden City Display Fireworks
Date of presentation: July 23rd, 2008
Dismal showery weather conditions, coming straight from New York, prevailed throughout virtually this entire display with light to at times moderate showers. Though the weather was on the miserable side, it did not wipe out the spirit of this debutant Canadian team in presenting their highly anticipated display titled “Aurora”, which promised to dazzle the audience with extravagant colors, along with some effects that have never been seen in the history of this competition.
The colors were carefully chosen for this display, and were often in an interesting blend during a fair amount of pieces. There was a wide set of effects, including mines and shells of screaming serpents, variations of girandolas, shell of shells and multi-breakers, photoflashes of red and green, shells of falling leaves, and many shells of multi-colored stars (the purples stood out the most).
The choice of music was mostly very subtle, some of which delivered some moving emotions to me, at the very least. Virtually all of them were appropriate for representing the theme and given their nature in being mostly instrumental, it prompted some excellent shots at creativity and sequencing. The music itself made the display feel rather authentic, in addition to the thematic premise. The design of the show was generally good, especially seeing how wide it was from the left and right (somewhat because of the winds at the time, too).
The finale was pretty enticing. It had commenced with barrages of kamuro shells assisted by loud crackling low level shells. This pattern went on for a few seconds, giving off the impression that the finale would solely consist of a large golden weeping willow. However, not long after these, barrages of multi-colored shells were quickly launched without delay and eventually led to an enormous amount of deafening salutes at low level with the same shells continuing overhead, all of which were followed by a set of bright mines and one small volley of salutes to finish.
This was a very powerful and rather unique display, largely because of the way it had directly created that mostly subtle atmosphere. It was also a particularly inspirational display for me since I love the Aurora Borealis and Australis so abundantly, so I suppose that I was eagerly waiting to see how this display would represent it. The choice of music actually consisted of many enjoyable tracks, especially considering that predominantly all of them were instrumental, often creating some beautiful segments with sequencing via low level. Synchronization was generally good, but not entirely perfect – some pieces were noticeably a little off cue on some of the transitional points in between some individual soundtrack, while a couple of parts contained moments where the fireworks continued on once the music had come to a close. The quality of the products was fantastic and there was quite a diverse selection of effects that were utilized – one of which were those beautiful Italian shell of shells making their appearance two to three times during the display. The infamous 12” shells were easily noticed and always seemed to have created distinctively deafening blasts. The variations of the double-ascension girandolas were beautiful and most welcomed (especially seeing that we’ve been short of them this year, while being abundant on horsetails – a tradeoff, as it would appear), but some of them appeared to be different by their appearance in that they spun rapidly upon rising and falling while simultaneously making a loud whistling noise – I’m not sure if this is the effect that we were promised.
The low level effects were enticing and often perfectly on cue, particularly during one of the beginning segments (I think this was around in “Run Free”) where the candles, as well as the mines (particularly those of the dazzling golden fans), went on perfectly with the different pitches presented during that particular track. The Z cakes at one point were also nicely tied in the music, as were the nautical flares and shells whenever they were present. Those spinning wheels were also neat (looked like a hurricane icon lol), as were those waterfall structures. The fast shots of candles in “Amistad” (I think) were very well shot and breathtaking because of their speed and the way they came out like fans. One of my personal favorites was the segment when the small flares lit at the bottom with the tranquility of the music, and then there would be a quick surprise of titanium salutes along with the brief high sudden suspense in the music – this repeated three times. I remember seeing this midway into the show, but I’m not familiar with the soundtrack associated with it.
The debutant Canadian team really created a marvelous impression on the small crowd present by creating an atmosphere that was conducive to promoting much creativity, originality, subtlety and excitement. The performance, being easily the most widespread, rarely ever lost symmetry, while having amazing choreography that was frequently enjoyed by the audience, as well as myself, most notably because this display had a fairly large number of shells.

The transitions were actually very well portrayed, but some points were probably a little too quiet during the more subtle segments, most notably near the beginning. The music was again enjoyable, but perhaps some of them possessed a similar feel in both rhythm and pace. The colors were often demonstrated in a beautiful mix that really brought out the theme through the fireworks (particularly the shells of purple stars), as expected, but there were arguably times when the colors weren’t as rich as they could have been, especially for a theme that heavily demands them. With this feeling in mind, the finale led a sort of broken structure because it did not bring out the colors as vividly and as powerful as I had hoped, even though they did appear nicely at the very end, just enduring with an unsatisfactory length. All that said, I personally thought that this was a very well organized and unique display designed by team Canada. It’s quite fortunate that we had ideal wind speeds and direction at the time, despite the rainfall! It’s a pity that some of the shells and colors were occasionally drowned by the smoke towards the center and the left (if viewing from Notre-Dame), but I’m grateful that this wasn’t to the extent where you couldn’t see the shells or whatever effect completely. Other than that, the rain present returned me to the 90’s, where the rain used to fall almost every year during Canada’s performance!
Trav’s personal scorings (for fun):
-Pyrotechnic components: 9.5/10
-Synchronization: 8.5/10
-Soundtrack: 9/10
-Technical design: 9/10
-Pyromusical concept: 9/10
-Overall: 9/10---------->Nice job, Canada.
(Scores will be adjusted before the closing ceremony).
Trav.
