As a foreword to my review, let's just say I'm not used to this kind of performance by Royal Pyrotechnie. During the interview, Yanick told me he would try brand new sequences on soundtracks he never used before. I therefore had high expectations, as Yanick is perfectly able to go "beyond the limits". Yet, I found that
Polar Light was not your typical Royal Pyrotechnie display.
As a matter of fact, I've noticed that the same effects (yellow crossettes, for instance, and some others as well) were sometimes repeated throughout the show, a type of design that is practically unheard of in a Royal Pyrotechnie display.
Also, the display's pace was a tad too slow for my liking. Again, Royal Pyrotechnie displays almost always have a good rhythm for the entire duration, while in this case some sequences would have benefited from having some aerial shells being launched. For example, Yanick had installed a boat-shaped set piece above a Niagara Falls, which produced a stunning effect, but this particular sequence lasted a good 45 seconds, while no other effect whatsoever was being launched. A set piece, while expensive, is impressive, but hoping to keep the public's attention during 45 seconds with it alone is wishful thinking in my opinion. In this case, shooting a few horsetail shells or kamuros above would have boosted the public's interest considerably while not distracting from the set piece like a barrage of noisy or bright effects would do.
With a complex theme such as
Polar Light, a narration would have helped setting up the mood, but the Fire on Ice rules forbid using a narrative segment. This is an example where the event rules effectively prohibit the designer from completely fulfilling his artistic vision. Yanick's divisions between sequences were quite clear on paper, but the once-again exceptional soundtrack edited with Serge Péloquin gave the display a "too-continuous" feeling that prevented the public from understanding the purpose of the changes in pace.
For me,
Polar Light was not a bad display, but represented a a radical departure from the usual type of displays that are the staple of Royal Pyrotechnie. For instance, I think it missed the "magic sparkle" that puts together a good theme, a good soundtrack and a good selection of products to create a truly exceptional display. Well, I guess that Royal's shows can't always be at the same excellence level...
My complete coverage (in French)
Google-translate of the above
Look out on my
YouTube channel; the video should be online tonight.
EDIT :
First part now online; note how stable the camera is now that it's installed on a second tripod and how the picture quality increased since last time, as a friend of mine lended me his professional-grade wide-angle lens
EDIT 2 :
Second part is now online as well. I'd like to get your opinion on te display, just to make sure I didn't miss something. I kinda feel bad to write a negative review on a Yanick Roy display (never thought that it would be possible, to be honest).
STL